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Collective Management Organisations

PRS issues new framework for livestreaming concerts

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By Emmanuel LegrandBritish rights society PRS For Music has unveiled its updated Online Live Concert (OLC) framework for ticketed livestream gigs and concerts, and it has already been criticised by the MMF UK (managers) and the Featured Artists Coalition (FAC) for being "damaging" to artists. An original licensing framework, announced in 2020, was met with rejected by artists, managers and promoters, forcing PRS for Music to engage in a consultation with stakeholders and propose new guidelines....

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Emmanuel is a Washington, DC-based freelance journalist, blogger and media consultant, specialising in the entertainment business and cultural trends. He was the US editor for British music industry trade publication Music Week. Previously, he was the editor of Impact, a magazine for the music publishing community (2007-2009), the global editor of US trade publication Billboard (2003-2006), and the editor in chief of Billboard’s sister publication Music & Media (1997-2003).

Collective Management Organisations

CRB seeks comments on proposed rates applied to noncommercial broadcasting

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Copyright Royalty Judges have solicited comments on the proposed rates and terms for use of certain copyrighted works in connection with noncommercial television and radio broadcasting. for the period from January 1, 2023, through December 31, 2027.

According to a notice published in the Federal Register, interested parties can file comments and objections until February 27, 2023.

In 2021, the CRB Judges requested that interested parties submit petitions to participate in the rate sett...

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Collective Management Organisations

ASCAP and NYC Media Lab partner to launch the Music and AI Challenge

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The American Society of Composers, Authors and Publishers (ASCAP) and NYC Media Lab (NYCML) are launching the 'Music and AI Challenge'.

The initiative is designed "to identify creative, cutting-edge concepts at the intersection of music and artificial intelligence."

The ASCAP Lab and NYCML are seeking start-ups and university teams that are "leveraging artificial intelligence to build products that offer novel solutions for the music industry that ultimately benefit music creators."

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Collective Management Organisations

PPL paid out £244.9 million to performers and labels in 2022, up 7.1% over 2021

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British neighbouring rights society PPL has distributed £244.9 million (€278.3m) to its members — performers and owners of sound recordings — and other collective management organisations in 2022, up 7.1% over 2021's £228.7m.

PPL said the figure marks the second highest total of monies paid out by PPL in a calendar year, the highest being £260.2m in 2020, a total achieved thanks to the record collections of £271.8m the previous year in 2019, before the adverse impact of the COVID pandemic.
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