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Copyright & Regulation

Opinion: South Africa needs a comprehensive, multifaceted strategy to curb the economic impact of piracy

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Chola Makgamathe is the chairperson of the Copyright Coalition of South Africa and the General Manager of Legal Services at South African rights society SAMRO. In this opinion piece she explains why the current Copyright Amendment Bill, currently discussed at the South African Parliament, falls short of protecting creators from piracy and infringement.

On September 1, 2022, the Bill was passed by the National Assembly by 163 votes for and 45 votes against. The Bill is now headed to the National Council of Provinces for a vote.

Chola Makgamathe

Africans create powerful creative content in, among others, the music, film, sports, gaming, publishing, broadcast and animation sectors. However, this wealth of content is jeopardised by the relentless scourge of piracy which robs creators and rights holders of their livelihoods and threatens the value and longevity of African content.

Pirating occurs when an individual, who is not the copyright holder, copies content and resells it for a significantly lower price than what the copyright holder charges. Many preparators of piracy don’t realise the impact it has on content creators and the economy.

According to Irdeto, a world leader in digital-platform cybersecurity, people in five major African territories made a total of about 17.4-million visits to the top 10 identified piracy sites between June and August 2021, with music, literature, video content and software websites receiving the most visits.

Negative effects on the economy

The high rates of piracy, however, are not exclusive to the African continent. Digital video piracy costs the entertainment industry up to $71-billion every year, according to the US Chamber of Commerce’s Global Innovation Policy Center – harming businesses and destroying lives and livelihoods in an economy hard-hit by Covid.

It is without question that piracy has negative effects on the economy and the ability of creative professionals to earn a living. Left unchecked, the theft of content can severely harm investor confidence and tax revenue and can also affect trade opportunities.

Although not a silver bullet, one of the key strategies to curb the rise in piracy in South Africa is the careful refining of the Copyright Amendment Bill.

Not a remedy from content theft

Stalling the refining and passing of a bill that has the potential to preserve the livelihoods of South African content creators is of utmost concern. The bill should not be passed in its current form. It should be discussed and significantly refined. The direct consequence of passing the bill in its current form would be the death of any reward for our creators and it would not remedy all the problems which arise from content theft.

However, as the rates of piracy increase, regional anti-piracy efforts have been ramped up with the creation of initiatives such as Partners Against Piracy (PAP). PAP is a collaboration between government agencies, law enforcement agencies, distributors, content creators and rights owners which seeks to inform and educate the public about the effects of piracy. Africa’s leading entertainment company MultiChoice has thrown its weight behind PAP.

The PAP partnership has already yielded results – a joint operation between law-enforcement officers and content-piracy investigators nabbed a group for distributing episodes of the popular Showmax series The Wife earlier this year.

Facilitate a meaningful engagement

Although this is a step in the right direction, advocacy efforts do not exist in a vacuum. There needs to be a multifaceted approach that recognises the role of the justice system in bringing perpetrators to book and of policymakers in refining the Copyright Amendment Bill.

Strong laws mean strong economies. We need to show other countries that we protect copyright in our creative industries so they feel confident to invest in our economy. That is why we need partners like the department of justice and correctional services; business; civil society and NGOs.

We call on everyone with a stake in the war against piracy to join us. To preserve African content, and have an environment that nurtures and protects creators, policymakers urgently need to facilitate a meaningful engagement that addresses the glaring weaknesses of the current law and consumers need to call out illegal activities.

Let us not be the ones to destroy and undermine our own content.

By Chola Makgamathe

Copyright & Regulation

European Commission opens formal probe into Google’s alleged use of content from web publishers for AI purposes

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The European Commission has opened a formal antitrust investigation into Google's use of content from web publishers, as well as content uploaded on Google-owned online video-sharing platform YouTube, for artificial intelligence purposes.
The probe will assess whether Google has breached EU competition rules and will "examine whether Google is distorting competition by imposing unfair terms and conditions on publishers and content creators, or by granting itself privileged access to such conten...

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Copyright & Regulation

Universal Music Group offered remedy to alleviate European Commission’s concerns over the acquisition of Downtown Music

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Universal Music Group has addressed concerns regarding the proposed $775 million acquisition of independent music company Downtown Music by offering an unspecified remedy to the European Commission.
UMG said the remedy proposal followed "constructive conversations" with the Commission. "We have submitted a robust remedy that comprehensively addresses the Commission's only remaining concern," said UMG in a statement. "This deal is about offering independent music entrepreneurs access to world-cl...

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Copyright & Regulation

Pryor Cashman hires US Copyright Office’s Assistant General Counsel Jason E. Sloan

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US lawyer Jason E. Sloan has joined Pryor Cashman as a partner in the law firm's Litigation Group and the Music, Intellectual Property, and Media + Entertainment Practices in New York.
Sloan joins Pryor Cashman after a decade at the United States Copyright Office, where he most recently served as Assistant General Counsel. t the Copyright Office, he handled a broad portfolio of regulatory, policy, and litigation matters, including advising Congress on legislation and working closely with the De...

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