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Collective Management Organisations

Vietnam’s music rights society VCPMC plans to collect $9.7m in 2022

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The Vietnam Center for Protection of Music Copyright (VCPMC) has disclosed that since its creation in 2002, it has collected over VND1 trillion ($42.2 million) in royalties.
VCPMC said it collected VND160 billion (6.7m) in 2021, and plans to collect VND230 billion ($9.7m) this year, according to Dinh Trung Can, Director General of VCPMC.
VN Express explained that the music genre generating the most royalties was "revolutionary music," followed by pop music, and classical music.
Can said VCPMC ...

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Emmanuel is a Washington, DC-based freelance journalist, blogger and media consultant, specialising in the entertainment business and cultural trends. He was the US editor for British music industry trade publication Music Week. Previously, he was the editor of Impact, a magazine for the music publishing community (2007-2009), the global editor of US trade publication Billboard (2003-2006), and the editor in chief of Billboard’s sister publication Music & Media (1997-2003).

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Collective Management Organisations

Music sector urges Kazakhstan to address the weaknesses in the country’s system of collective rights management

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A coalition of organisations representing creators and rights holders have sent an open letter to the President of the Republic of Kazakhstan, Kassym-Jomart Tokayev, and to Maulen Ashimbayev, Chair of Kazakhstan's Senate, expressing concerns about "weaknesses in the country’s system of collective rights management."
The letter was signed by the International Confederation of Societies of Authors and Composers (CISAC), the International Federation of Reproduction Rights Organisations (IFRRO), Int...

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Collective Management Organisations

CISAC at the forefront of the fight against fraud in music data and registrations

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CISAC considers that fraud in musical works and registrations is "one of the most serious threats facing creators today." Even more so today with the explosion of AI-generated content and the vast volume of registrations flowing into societies.
This is usually perpetrated by what CISAC calls "bad actors" who exploit weaknesses in registration systems or to invent fake titles. The result is that they claim royalties for works they did not create and divert income away from legitimate songwriters ...

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Collective Management Organisations

CISAC Chair of the Board Dean Ormston calls for unity and solidarity across societies

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Dean Ormston, Chair of the Board of CISAC and CEO of Australasia's society APRA AMCOS made a plea for a "unified collective management" system to ensure that a song, film, book or artwork can generate income anywhere in the world.
"It’s what ensures that creators are part of the success story in any technological advancement. It’s what protects creators’ rights against digital disruption, shifting consumption patterns and the existential challenge posed by AI," wrote Ormston in the foreword to ...

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