Digital Economy
YouTube paid $6bn to the music industry in 2021-22 and pledges to be the sector’s #1 contributor of revenue by 2025
Digital Economy
Netflix closed the year with over 325 million paid subscribers globally, up 8.3% y-o-y
Creative Industries27 minutes ago
Concord invests in The Azoff Company’s record label Giant Music
Collective Management Organisations1 hour ago
Australia’s Copyright Tribunal increases the rate for recordings paid by radio stations from 0.40% to 0.55% of gross revenue
Digital Economy2 hours ago
Netflix closed the year with over 325 million paid subscribers globally, up 8.3% y-o-y
Collective Management Organisations3 years ago
The MLC plans webinars to show members how to use tools to manage song data
Collective Management Organisations3 years ago
Six takeaways from The MLC’s first annual report for 2021: distributions, membership, matching rates, processed works, historical unmatched works and expenditures
Collective Management Organisations4 years ago
Cécile Rap-Veber (SACEM): ‘We are a solutions provider to create value, a tech company, and we are less and less seen as some sort of cultural institution’
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Collective Management Organisations3 years agoThe MLC plans webinars to show members how to use tools to manage song data
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Collective Management Organisations3 years agoSix takeaways from The MLC’s first annual report for 2021: distributions, membership, matching rates, processed works, historical unmatched works and expenditures
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Collective Management Organisations4 years agoCécile Rap-Veber (SACEM): ‘We are a solutions provider to create value, a tech company, and we are less and less seen as some sort of cultural institution’
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Interview4 years agoOlivier Chastan (Iconoclast): ‘Name, image and likeness will be as important as music rights in the future’