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Creative Industries

Main stories — Week 42, 2022

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Here’s a list of the main stories published this week by Creative Industries News:

LEAD STORY
>EU’s Digital Market Act came into force November 1 and opens a new era in the regulation of online platforms

COPYRIGHT & REGULATION
> Senators Thom Tillis and Chris Coons ask USPTO and the Copyright Office to jointly set up a national AI commission
US Copyright Office issues notice of proposed rulemaking related to termination rights and the Music Modernisation Act
Creators urge Congress to pass the American Music Fairness Act
ACE shuts down a Latin American video piracy ring and seizes 48 domain names
Malaysia seizes over 600 illegal streaming devices containing unlicensed content

LITIGATION
US court blocks the merger of Penguin Random House and Simon & Schuster; Bertelsmann plans to appeal
> Andy Stone drops lawsuit against Mariah Carey over ‘All I Want for Christmas Is You’

CMOs & LICENSING
Tracklib celebrates new milestones with 400th rights holders agreement and over 100,000 songs available for sampling

DATA
Jaxsta to match ISWCs with recordings
Bridger launches new registration tool for collaborative musical works
Ingrooves Music Group’s new AI patented technology facilitates the detection of activity on short-form video platforms

CREATIVE INDUSTRIES
Universal Music Group could end the year with revenues in excess of €10 billion
> Paramount Global revenue up 5% to $6.92bn in Q3; Paramount+ counts 46 million subscribers globally
Concord opens headquarters in Nashville and unveils new visual identity
Wise Music Group opens a company in Iceland led by Inga Weisshappel
The Worldwide Independent Network launches two initiatives to improve the representation of indie music companies

DIGITAL ECONOMY
Apple’s services division now accounts for 20% of the company’s total revenues
Amazon expands Prime’s offer to 100 million songs and ad-free podcasts
Deezer forecasts revenue up 14% to €455m by the end of 2022
Meta spooks the markets with heavier than anticipated investments in the metaverse
Metaverse start-up Tetavi re-brands as Yoom and secures a $15m financing round

DEALS
– Universal Music Publishing Group inks global publishing agreement to represent the catalogue of songs by Irving Berlin
– Marathon Music partners with Radio Nova to curate archive sessions from the station
– Primary Wave Music closes publishing deal with Huey Lewis and The News
– BMG renews global publishing agreement with Dutch DJ and producer Afrojack
– Warner Music Chappell France sign a global co-publishing deal with composers and producers Some 1ne and Machynist
– Sony Music Entertainment sets up a joint venture with ONEWAY. Records to develop Israeli talent
– Songwriter and producer Luis Cruz signs publishing agreement with BMG

IN THE NEWS
– Merlin appoints CAA executive Adam Wright as its new Chief Financial Officer
– Camila Santamaria Balen joins law firm Holland & Knight in Colombia
– Bucks Music Group has appointed Howard Price as its new Head of Media
– AIM CEO Paul Pacifico to become the new CEO of the Saudi Music Commission

INTERVIEWS
In case you missed it, Creative Industries News published recent Q&As with:
– Bruno Guez (Revelator)
Andrea C Martin (PRS for Music)
Cécile Rap-Veber (SACEM)
Molly Neuman (Songtrust)
Jordi Puy (Unison)
Olivier Chastan (Iconoclast)
Ken Umezaki (Verifi)
– Paul Pacifico (AIM)
Spek (PopArabia)
– Merk Mercuriadis (Hipgnosis) (Part 1)
– Merk Mercuriadis (Hipgnosis) (Part 2)

OPINION
In case you missed it, Creative Industries News published recent opinion pieces from:
– Chola Makgamathe (SAMRO): South Africa needs a comprehensive, multifaceted strategy to curb the economic impact of piracy
– Susan Cotchin (Good Neighbour Rights): ‘Australia’s decision to limit the application of Art. 15 of WIPO’s WPPT has impacted Australian artists in a big way’
– Helen Smith (IMPALA): ‘We don’t believe equitable remuneration is equitable at all’
– Jonathan Reichman and Jeremy King (Hunton Andrews Kurth): ‘Warhol Foundation v. Goldsmith is an opportunity for US Supreme Court to clarify fair use’
– Kevin Casini: ‘Stakeholders need to take a long-term view with the Copyright Royalty Board’s rate-setting proceedings’
– Barry Scannell (IMRO): ‘Royalty-based NFTs have limited fungibility’

Emmanuel is a Washington, DC-based freelance journalist, blogger and media consultant, specialising in the entertainment business and cultural trends. He was the US editor for British music industry trade publication Music Week. Previously, he was the editor of Impact, a magazine for the music publishing community (2007-2009), the global editor of US trade publication Billboard (2003-2006), and the editor in chief of Billboard’s sister publication Music & Media (1997-2003).

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Collective Management Organisations

Merlin inks partnership with Pipeline

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Merlin, the digital music licensing society for independent labels and distributors, has sealed a partnership with Pipeline, the newly-launched provider of financing solutions for the independent music sector. Under this initiative, Pipeline will provide Merlin member companies with advances against digital royalties generated by Merlin. The service is entirely optional and non-exclusive, as participation in the programme does not prevent Merlin members from entering into financing or commercia...

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Creative Industries

Kevin Weaver promoted to President of Atlantic Music Group

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Atlantic Music Group (AMG) has elevated Kevin Weaver to the newly created role of President of the Warner Music Group division. Based in Los Angeles, Weaver will continue to report to AMG CEO Elliot Grainge. In this new role, he will "oversee high-impact opportunities across the AMG roster, spanning soundtracks, strategic partnerships and gaming initiatives, sync licensing, and brand alignments" across Atlantic Records, 300 Entertainment, and 10K Projects. Zach Friedman and Tony Talamo, AMG's Ch...

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Creative Industries

US creators launch ‘Stealing Isn’t Innovation’ campaign

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The Human Artistry Campaign has launched an advocacy campaign to protest against "Big Tech’s illegal mass harvesting of copyrighted works" to train and power their Generative Artificial Intelligence platforms. Human Artistry said it acted on behalf of "a broad cross-section of the American creative community." The campaign aims at alerting consumers and policy-makers about the current "illegal intellectual property grab" perpetrated by tech companies.

"Driven by fierce competition for leader...

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