P { margin-bottom: 0.08in; } [This story was previously published in Music Week] By Emmanuel Legrand As the US prepares to vote for a new President...
P { margin-bottom: 0.08in; }A:link { } By Emmanuel Legrand How should the Copyright Office be structured and what functions should it perform in the 21st...
By Emmanuel Legrand On Dec 16, 2015, the US Copyright Royalty Board (CRB) unveiled its decision regarding the rates applied to digital radio and non-interactive music...
P { margin-bottom: 0.21cm; } By Emmanuel Legrand [This story was originally published in Music Week] For the music community, the past few months have been...
P { margin-bottom: 0.21cm; } Jay Rosenthal Jay Rosenthal is an experienced player in Washington, DC and one of the US capital's foremost copyright experts. He...
By Emmanuel Legrand The US music industry is getting one step closer to having performance rights paid for by terrestrial broadcaters with the introduction on April...
[This is an extended version of the story initially published in OneMovement for Music - Issue 6] By Emmanuel Legrand US policy-makers have launched what could...
By Emmanuel Legrand So Bill C-32, that was due to modernise Canada's unfit-for-purpose copyright legislation, is dead before even being discussed before the nation's Parliament. Hit...
