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Collective Management Organisations

Six takeaways from The MLC’s first annual report for 2021: distributions, membership, matching rates, processed works, historical unmatched works and expenditures

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The Mechanical Licensing Collective (The MLC) has issued its first annual report since its launch on January 1, 2021. The MLC was created by the Music Modernisation Act of 2018 to license and administer online mechanical rights on behalf of songwriters and music publishers.
The MLC has signed licensing agreements with over 40 digital services providers (DSPs), and is processing monthly the usage files supplied by the DSPs. From January 1, 2021, it has started to receive data files from DSPs abo...

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Emmanuel is a Washington, DC-based freelance journalist, blogger and media consultant, specialising in the entertainment business and cultural trends. He was the US editor for British music industry trade publication Music Week. Previously, he was the editor of Impact, a magazine for the music publishing community (2007-2009), the global editor of US trade publication Billboard (2003-2006), and the editor in chief of Billboard’s sister publication Music & Media (1997-2003).

Collective Management Organisations

CISAC launches new service ISWC IPI Context Search to identify creator’s Interested Party Information numbers

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The International Confederation of Societies of Authors and Composers (CISAC) has launched ISWC IPI Context Search, a new API service designed to help music publishers quickly and accurately identify creator Interested Party Information (IPI) numbers.
IPI's are the globally unique identification of a natural person or legal entity with an interest in an artistic work across all categories of works, including composers, arrangers, and publishers. The IP Base Number is a unique identifier allocate...

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Collective Management Organisations

ASCAP taps Marc Zelanko as Chief of Staff

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The American Society of Composers Authors and Publishers (ASCAP) has appointed Marc Zelanko to a newly create role as Chief of Staff. Based in New York, he reports to the music rights society CEO Elizabeth Matthews.
“Marc is the perfect fit to help ASCAP deliver on our mission to grow revenues and drive efficiencies for the benefit of our more than 1.1 million songwriters, composers and music publishers," said Matthews. "He brings a wealth of experience working cross-functionally to lead comple...

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Collective Management Organisations

Anne-Marie Pearce replaces Chris Barton as PPL’s Chief Financial Officer

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British neighbouring rights society PPL has appointed Anne-Marie Pearce as its new Chief Financial Officer. Based in London, she reports to CEO Peter Leathem and will join PPL's Executive Leadership Team.
Pearce succeeds Chris Barton, who announced earlier this year he would be leaving the collective management organisation at the end of 2025. In her new role, she will oversee the Finance and Distribution teams, who are responsible for the payment of royalties to PPL’s recording rights holders a...

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