Interview

Collective Management Organisations2 years ago

John Josephson (SESAC Music Group): ‘We’re focused on maximising the value of our affiliates’ IP and delivering the highest dollar value possible’

SESAC Music Group has become an increasingly important player in the US music eco-system, as well as internationally. From a small boutique performing rights society, formed...

Creative Industries2 years ago

Josh Gruss (Round Hill Music): ‘The market is still as rich as it was a couple of years ago in terms of trading opportunities’

A couple of weeks ago, Round Hill Music, a pioneer in the acquisition of music catalogues and in maximising their value, announced the sale of Round...

Collective Management Organisations2 years ago

Kris Ahrend (The MLC): ‘Our payout rate in the first year was higher than the industry payout rate during the previous three years’

The MLC was launched on January 1, 2021 and has been a game changer for the music publishing community and for self-published songwriters. It has brought...

Collective Management Organisations2 years ago

Andrea C Martin (PRS for Music): ‘Digital has become our number one channel of revenues, surpassing international’

Andrea Czapary Martin has been at the helm of British rights society PRS for Music since June 2019, A few months into the job, the Covid...

Data3 years ago

Bruno Guez (Revelator): ‘NFTs will become a commodity so we expect to see more platforms using them as utilities’

Revelator has been building a data and asset management infrastructure for the past decade, to help rights holders navigate the new digital paradigm, and it is...

Collective Management Organisations3 years ago

Andrea C Martin (PRS for Music): ‘In 2022, we will have higher revenues and we will pay out more royalties to our members’

PRS for Music CEO Andrea Czapary Martin is in a buoyant mood. PRS for Music — one of the biggest music rights societies in the world...

Collective Management Organisations3 years ago

Cécile Rap-Veber (SACEM): ‘We are a solutions provider to create value, a tech company, and we are less and less seen as some sort of cultural institution’

When Cécile Rap-Veber was appointed CEO of SACEM last October, replacing Jean-Noel Tronc who had been in the job for ten years, she became the first...

Creative Industries News

Spek (PopArabia, Reservoir, ESMAA): ‘With streaming, local language music starts to become a lot more important’

FX Nuttall (Quansic): ‘With Luminate we can finally manage to gather in one place all the music metadata in the world’

Darryl Ballantyne (LyricFind): ‘The overall lyric business is comfortably into nine figures a year in monetisation’

John Josephson (SESAC Music Group): ‘We’re focused on maximising the value of our affiliates’ IP and delivering the highest dollar value possible’

Josh Gruss (Round Hill Music): ‘The market is still as rich as it was a couple of years ago in terms of trading opportunities’

Kris Ahrend (The MLC): ‘Our payout rate in the first year was higher than the industry payout rate during the previous three years’

Andrea C Martin (PRS for Music): ‘Digital has become our number one channel of revenues, surpassing international’

Bruno Guez (Revelator): ‘NFTs will become a commodity so we expect to see more platforms using them as utilities’

Andrea C Martin (PRS for Music): ‘In 2022, we will have higher revenues and we will pay out more royalties to our members’

Cécile Rap-Veber (SACEM): ‘We are a solutions provider to create value, a tech company, and we are less and less seen as some sort of cultural institution’

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