By Emmanuel Legrand Protecting content against infringement and the need to be remunerated for the use of copyrighted content are the two conditions to maintain a...
By Emmanuel Legrand Stream-ripping sites have been singled out as a threat to US intellectual property rights' interests in the 2019 Special 301 Report, published each...
By Emmanuel Legrand US union for entertainment workers SAG-AFTRA announced that as of May 1, 2019, it will start automated residual payments to all eligible members...
By Emmanuel Legrand Two major pieces of regulation that will significantly update European Union's copyright framework have been adopted by the Council of the European Union...
By Emmanuel Legrand The team behind the American Music Licensing Collective (AMLC) got to present its project in a Town Hall meeting in Nashville last week....
By Emmanuel Legrand With total revenues up 9.7% to $19.1 billion, the global recorded music industry has experienced in 2018 its best year in over a...
By Emmanuel Legrand [This story was originally published by The Music Network] On its second day, executives lined-up at Musexpo in Burbank, California continued to auscultate...
By Emmanuel Legrand [This story was originally published by The Music Network] Musexpo, the springtime A&R-focused conference in Los Angeles founded by Sat Bisla, has been...
By Emmanuel Legrand After one of the lengthiest and most virulent legislative battle in recent history, the European Directive on Copyright in the Single Market was...
By Emmanuel Legrand On Tuesday March 26 at 12:30pm, Brussels time, members of the European Parliament will cast their vote on the Copyright Directive in the...
