[This story was originally published by Music Week the week after Super Bowl in February 2016] By Emmanuel Legrand With over 100 millions viewers watching live...
By Emmanuel Legrand How should the Copyright Office be structured and what functions should it perform in the 21st Century? This are not simply rhetorical questions....
By Emmanuel Legrand [An edited version of this story was published in Music Week.] Golnar Khosrowshahi could have easily enjoyed a very successful career as an...
[An edited version of this story was initially published by Music Week.] By Emmanuel Legrand By the time I got to New York I was living...
By Emmanuel Legrand European Commission's Karel Bartak The European Union's policy in the field of the arts was the focus of a discussion with Karel Bartak,...
By Emmanuel Legrand As the European Commission is rolling out its Digital Single Market strategy, rights holders are adamant that the issue of "transfer of value"...
By Emmanuel Legrand On Dec 16, 2015, the US Copyright Royalty Board (CRB) unveiled its decision regarding the rates applied to digital radio and non-interactive music...
How one e-mail from Pandora's founder Tim Westergren turned an artist into an activist. [An edited version of this story was originally published by Music Week]...
by Emmanuel Legrand [This editorial was originally published in the Nov. 23, 2015 issue of Music Week.] There are words that you wish you'd never have...
By Emmanuel Legrand [This story was originally published in Music Week] For the music community, the past few months have been full of promises in Washington,...
