Creative Industries
Main Stories — Week 21, 2022
These are the main stories published by Creative Industries News in the previous week.
LEAD STORIES
> Hong Kong’s new Copyright (Amendment) Bill 2022 to be discussed by the Legislative Council on June 8
> IFPI and UAE sign ‘landmark’ MoU to support the continuing growth of the UAE’s recorded music business
> GEMA CEO Harald Heker calls for a better remuneration from streaming services
> France’s SCAM signs a licensing agreement with Meta covering all platforms
> PRS for Music welcomes new elected Council representatives — MMF highlights a ‘disappointing’ lack of diversity
> Takeaways from CISAC’s Annual Report 2022: Ukraine, data, priorities, lobbying
> Sony Music will expand its Legacy Unrecouped Balance Programme — Rob Stringer
> Matt Pincus’ MUSIC has a $200 million war chest to invest in music businesses
> NetEase Cloud Music posted revenues up 38.6% to RMB2.1 billion during Q1 2022
> Slip.stream has raised $7.5m in a Series A financing round with contributions from Sony Music Entertainment and Third Prime
> TikTok launches the beta version of a livestreaming service for creators with monetisation options
BRIEF NEWS
– Vladimir Putin has signed an executive order that will authorise Russian organisations to remunerate copyright holders in rubles
– Music Publishers Canada has urged parliamentarians to “quickly pass” Bill C-11
– Greek MEP Alexis Georgoulis is calling for an ambitious European policy to support creators
– Beatport has acquired LabelRadar
– iQiyi has posted revenues of RMB7.3 billion ($1.1bn) during the first quarter of 2022
– SACD and YouTube renew their licensing agreement for four additional years
– Leonine Studios acquires Berlin-based TV production company Hyperbole Medien
– Voicy secures €1.2m in pre-Seed round
DEALS
– Hipgnosis and Blackstone acquire the song catalogue of Justin Timberlake
– Sun Records makes catalogue available on Tracklib to be cleared and sampled
– Live Nation signs partnership with UMG’s Astralwerks and Capitol Records China for Chinese EDM label Fabled Records
– Universal Music Group‘s Astralwerks and Capitol Records China (CRC) have signed a licensing and distribution agreement for Live Nation’s Fabled Records
– Sony Music Publishing Nashville has signed Black River Publishing to a worldwide publishing administration deal
IN THE NEWS
– Chris Butler has stepped down from the Board of PRS for Music
– Jason Allen has been promoted to the role of Senior Director of Infrastructure Operations at Tunecore
– S10 Entertainment has promoted and appointed four key executives
– Genneah Turner has been appointed General Manager of the Featured Artists Coalition (FAC)
– Tomas Filip was named Managing Director of Universal Music Czech Republic
– Warner Music Group has appointed Mariah Mochiach as the General Manager of Warner Music Israel
INTERVIEWS
In case you missed it, Creative Industries News published recent Q&As with:
– Bruno Guez (Revelator)
– Andrea C Martin (PRS for Music)
– Cécile Rap-Veber (SACEM)
– Molly Neuman (Songtrust)
– Jordi Puy (Unison)
– Olivier Chastan (Iconoclast)
– Ken Umezaki (Verifi)
– Spek (PopArabia)
Creative Industries
Creative Europe-backed Artistic Futures launches to help rights holders detect unclaimed royalties
Creative Industries
Notting Hill Music signs drum & bass artist Sota to a global publishing deal
Creative Industries
Symphonic expands by offering tailored financial solutions and access to capital to artists, managers, labels and rights holders
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Collective Management Organisations3 years agoThe MLC plans webinars to show members how to use tools to manage song data
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Collective Management Organisations4 years agoSix takeaways from The MLC’s first annual report for 2021: distributions, membership, matching rates, processed works, historical unmatched works and expenditures
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Interview4 years agoOlivier Chastan (Iconoclast): ‘Name, image and likeness will be as important as music rights in the future’
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Collective Management Organisations4 years agoCécile Rap-Veber (SACEM): ‘We are a solutions provider to create value, a tech company, and we are less and less seen as some sort of cultural institution’



