By Emmanuel Legrand How should the Copyright Office be structured and what functions should it perform in the 21st Century? This are not simply rhetorical questions....
By Emmanuel Legrand On Dec 16, 2015, the US Copyright Royalty Board (CRB) unveiled its decision regarding the rates applied to digital radio and non-interactive music...
By Emmanuel Legrand [This story was originally published in Music Week] For the music community, the past few months have been full of promises in Washington,...
Jay Rosenthal Jay Rosenthal is an experienced player in Washington, DC and one of the US capital's foremost copyright experts. He has been for many years...
By Emmanuel Legrand The US music industry is getting one step closer to having performance rights paid for by terrestrial broadcaters with the introduction on April...
[This is an extended version of the story initially published in OneMovement for Music - Issue 6] US policy-makers have launched what could be the biggest...
By Emmanuel Legrand So Bill C-32, that was due to modernise Canada's unfit-for-purpose copyright legislation, is dead before even being discussed before the nation's Parliament. Hit...
