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Copyright & Regulation

British government’s report on the impact of recommendation algorithms draws no conclusive determination of unfair bias

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A British government report from the Department For Culture, Media And Sport (DCMS) — titled 'The impact of recommendation algorithms on the UK's music industry' penned by the Centre For Data Ethics And Innovation — draws no conclusive determination on whether these technologies are unfairly biased. In its conclusion, the authors of the report "found that evidence proving or disproving whether these technologies embed, amplify, or introduce unfair biases is mixed, and at times inconclusive." The...

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Emmanuel is a Washington, DC-based freelance journalist, blogger and media consultant, specialising in the entertainment business and cultural trends. He was the US editor for British music industry trade publication Music Week. Previously, he was the editor of Impact, a magazine for the music publishing community (2007-2009), the global editor of US trade publication Billboard (2003-2006), and the editor in chief of Billboard’s sister publication Music & Media (1997-2003).

Copyright & Regulation

Korean government sets up special division to combat online infringement

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South Korea's Ministry of Culture, Sports and Tourism will launch on June 30 a stand-alone unit tasked to investigate international copyright infringement affecting the country's intellectual property. The government approved a decree that will transform the existing anti-piracy task force into the permanent Copyright Special Judicial Police Division, which will function with eight newly assigned investigators. Minister of Culture, Sports and Tourism Choi Hwi-young said the division will "track...

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Copyright & Regulation

French creative sector does not give up on the bill introducing a presumption of using creative content to train AI models

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On the occasion of Music Day on June 21, four French music industry organisation — ADAMI (neighbouring rights society representing performers), SCPP (neighbouring rights society representing owners of sound recordings), SNEP (record labels) and SACEM (authors and publishers) — have called on policy-makers to "to stop allowing platforms to exploit with impunity what our authors and artists have sometimes spent years creating." In an open letter, the organisations claim that "behind every song are...

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Copyright & Regulation

US Senate’s Judiciary Committee unanimously passes the NO FAKES Act

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The US Senate’s Committee on the Judiciary unanimously passed on June 18, 2026 the Nurture Originals, Foster Art, and Keep Entertainment Safe Act of 2026 (NO FAKES Act), which aims at providing voice and likeness protections for all Americans. The bill will now be referred to the floor for further discussion and vote. A companion bill was also introduced in the House of Representatives. The bicameral and bipartisan legislation (S. 4591/H.R.8915) was introduced on May 20, 2026 by Senators Marsha ...

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