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Rights data management company Verifi Media will stop operating after nine years

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After nine years operating in the field of data management, Verifi Media is pulling the plug on its business. The New York-based company made public its decision in a message to partners and clients.

“Today, we announce the closure of Verifi Media, marking the end of an extraordinary nine years of innovation in the music data business, along with the extraordinary partnership with the members of the Verifi Rights Data Alliance (“VRDA”),” reads the message seen by Creative Industries News.

Verifi Media’s Ken Umezaki

The company was co-founded in 2016 by Ken Umezaki, who served as Chief Executive Officer. Over the years, Verifi Media developed a set of tools using cloud computing and artificial intelligence, to improve the way media ownership and metadata was enhanced, corrected, shared and tracked across the supply chain.

Be part of a modern-day community

In 2022, the company launched the Verifi Rights Data Alliance (VRDA), with the recording and music publishing divisions of Warner Music Group (WMG), Spanish rights management society Unison, digital service provider Deezer, and Downtown Holdings-owned digital music distributor FUGA, as inaugural members. Downtown’s Songtrust and Dutch music rights society BUMA/STEMRA also joined the initiative in 2024.

The rationale behind the the project was to improve the quality of data throughout the whole value chain via collaborations, transparency, data management tools and best practices. Organisations joining the project would use Verifi Media’s data registry service.

“You have to come on board and be part of a modern-day community and reap the benefits of our communal truth around rights data. Our data stack is set up to allow more clients to ‘join the party’ relatively easily. It is ultimately a private service alliance rather than a membership organisation,” explained Umazaki in a 2022 interview with Creative Industries News.

The value of data collaboration

Umezaki said that what he eventually wanted to achieve was an all-round improvement of datasets: “In finance the data culture needs to be relatively high, and if you use that as a comparative, my personal perspective is that data culture in the music industry is at a two, whereas finance is at an eight out of 10,” he explained. “That signals to us that we’ve got a big opportunity to ‘move the needle’ around how rights data is used by all involved in recorded music, from creator to consumer.”

In the message to partners, Verifi Media said the company was founded “on the belief that collaboration across the value chain of the recorded music business and furthering the goal of data transparency could revolutionise how music rights are managed and monetised. Together, we have demonstrated that this belief wasn’t just a vision — it is achievable.”

Verifi Media added: “Our partners have seen first-hand results that show data collaboration yields incredible value for creators, rights holders, and the industry at large.”

Carrying the torch of data fluency

The message continued: “Though Verifi’s journey comes to an end, our collective mission does not. The lessons we’ve learned and the values we championed will live on through the work of our clients, collaborators, partners and advocates. It is our hope that others will continue to push this mission forward, building on the foundation we have laid and carrying the torch of data fluency within the music business even further.”

It concluded: “Thank you to everyone who believed in Verifi Media and our mission. It has been an honor to be on this journey alongside you. To our staff over the years, our clients, our board members and our investors — we cannot thank you enough for your unwavering support and diligence in creating a new paradigm for the music business. We hope our paths will cross again, and the VRDA will live on in the hearts and minds of those who have seen the powerful result of cross-party data collaboration.”

Emmanuel is a Washington, DC-based freelance journalist, blogger and media consultant, specialising in the entertainment business and cultural trends. He was the US editor for British music industry trade publication Music Week. Previously, he was the editor of Impact, a magazine for the music publishing community (2007-2009), the global editor of US trade publication Billboard (2003-2006), and the editor in chief of Billboard’s sister publication Music & Media (1997-2003).

Creative Industries

Warner Music Group acquires AI attribution startup Sureel AI

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Warner Music Group is acquiring Sureel AI, an AI attribution startup that has developed a technology to create "AI DNA" for every work. Terms of the acquisition were not disclosed. Following the completion of the deal, Sureel will continue to operate as a standalone platform serving the broader music and AI ecosystem. Warner Music Group will provide resources, scale, and strategic support. "The acquisition advances WMG’s mission to ensure that artists, songwriters, and rightsholders benefit whe...

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Creative Industries

Jamen Capital and Merlin partner to acquire Curve Royalty Systems from Universal Music Group

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Royalty accounting platform Curve Royalty Systems, which is part of the Downtown Music assets acquired by Universal Music Group earlier this year, will be sold to private investment firm Jamen Capital and digital licensing company Merlin. The sale, the terms of which were not disclosed, was a condition to the European Commission’s clearance of UMG’s acquisition of Downtown Music Holdings through Virgin Music Group in February of this year. The transaction remains subject to final Euro...

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Collective Management Organisations

SoundExchange and IFPI unveil new automatic assignment system for ISRCs

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IFPI, the International Federation of the Phonographic Industry, and US neighbouring rights society SoundExchange have announced a new system enabling the automatic assignment of International Standard Recording Codes (ISRCs), simplifying how these identifiers can be obtained for individual recordings. The new functionality allows an ISRC to be assigned to a recording via an immediate online registration, with the benefit of reducing "administrative burdens for small labels and self-publishing ...

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