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Collective Management Organisations

Main Stories — Week 18, 2022

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Below are links to the main stories published this week by Creative Industries News:

LEAD STORIES

NMPA/NSAI and record labels file new motion with the CRB calling for an increase in mechanical rates on physical and downloads from 9.1c to 12c per track
Songwriters Guild of America’s Rick Carnes explains why SGA has not joined in support of the new settlement (while agreeing on its principles)
BMG ‘regrets’ not supporting earlier songwriters asking for higher mechanical rates for physical and downloads
ECSA welcomes new settlement between US publishers and majors on mechanical rights
> Analysis: Time has come to change the US rate setting system for mechanical royalties
MCPS distributed to members £181.7m in 2021, a 15% increase year-on-year
Online beats marketplace Beatopia launches with subscription model
SoundCloud acquires AI-powered music tagging company Musiio
Believe hails ‘very dynamic’ Q1 with revenues up 30.9%
AR and VR are entering the mainstream with millions of users using devices in 2022
Eastern Europe will count an estimated 43m subscribers to SVoD services by 2027

BRIEF NEWS

– Taiwan’s Legislative Yuan. has voted amendments to the Patent Act, the Copyright Act and the Trademark Act
– Netflix has been sued in California by a Texas-based investment trust
– Italy’s SCF has distributed €54.9 million in 2021
– SoundExchange has sealed a data partnership with VEVA Sound
– Copyright Clearance Center (CCC) has acquired Ringgold
– Universal Music Group has posted revenue of €2.19 billion during the first quarter of 2022
– Live Nation, the world’s largest live music company, has delivered strong results for the first quarter of 2022
– The Copyright Alliance has added the Artist Rights Alliance (ARA) as its newest member
– The Independent Music Publishers’ International Forum (IMPF) is organising a global meeting of music publishers in Palma de Mallorca, Spain in Oct. 9-12, 2022
– Qobuz has launched in six new countries, five in Latin America and one in Europe
– Music and entertainment marketing platform Linkfire has signed a new marketing and affiliate agreement with Amazon Music
– Spotify has entered the world of Roblox with the introduction of Spotify Island

DEALS

– Reservoir Media has signed producer and songwriter Dan Nakamura, known as Dan the Automator, to a worldwide publishing deal
– Paris-listed music company Believe has signed a new label partnership with German DJ Steffen Harning
– PULSE Music Group has signed a creative music publishing joint venture with songwriter, producer and rapper Tommy Brown
– Universal Music Publishing Group (UMPG) has signed Dave Bayley to an exclusive, global publishing agreement
– Warner Chappell Music has extended its publishing deal with producer, performer and songwriter Chrishan
– Kobalt has signed US rapper $NOT to a global publishing administration deal

IN THE NEWS

– BMG has renewed its two US repertoire leads: Thomas Scherer as President, Repertoire & Marketing, Los Angeles and New York; an Jon Loba continues as President of BMG Nashville
– Riot Games has appointed Maria Egan as Global Head of Music & Events
– Gernot Graninger, CEO of Austrian authors’ societies AKM and Austro-Mechana, has been elected as the President of GESAC
Laura Lukanz has been appointed Head of Music Industry, UK, Australia & New Zealand, at Amazon Music
– BMG has appointed Sarah Mitchell to run its UK-based neighbouring rights division
– PRS for Music has appointed Rupinder Virdee as Head of PR, Marketing & Digital for the British music rights society
– Barry Scannell, Director of Legal Affairs & Regulatory Compliance at IMRO, has joined law firm William Fry as consultant

OPINION

Jonathan Reichman and Jeremy King (Hunton Andrews Kurth): ‘Warhol Foundation v. Goldsmith is an opportunity for US Supreme Court to clarify fair use’

INTERVIEWS

Bruno Guez (Revelator): ‘NFTs will become a commodity so we expect to see more platforms using them as utilities’

In case you missed it, Creative Industries News published recent Q&As with:

Andrea C Martin (PRS for Music)
Cécile Rap-Veber (SACEM)
Molly Neuman (Songtrust)
Jordi Puy (Unison)
Olivier Chastan (Iconoclast)
Ken Umezaki (Verifi)
Spek (PopArabia)

Emmanuel is a Washington, DC-based freelance journalist, blogger and media consultant, specialising in the entertainment business and cultural trends. He was the US editor for British music industry trade publication Music Week. Previously, he was the editor of Impact, a magazine for the music publishing community (2007-2009), the global editor of US trade publication Billboard (2003-2006), and the editor in chief of Billboard’s sister publication Music & Media (1997-2003).

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Collective Management Organisations

Indian government recognises PPL India as a Copyright Society for the licensing of sound recordings

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India's neighbouring rights society PPL India has been granted registration as a Copyright Society under the Copyright Act, 1957 by the Ministry of Commerce & Industry, and has been permitted to operate as a licensing and collecting for the use of sound recordings on behalf of labels and performers.

PPL India's Certificate of Registration

The Certificate of Registration was signed in New Delhi on June 11, 2026 by the Registrar of Copyrights Unnat P. Pandit. With its certificate, PPL India ...

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IMRO CEO Victor Finn to retire in 2027

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Victor Finn, the Chief Executive Officer of the Irish Music Rights Organisation (IMRO), has announced plans to retire from his role in 2027 after almost two decades in the job, marking the beginning of a planned leadership transition. The IMRO Board has initiated a formal succession process, with executive search firm Board Works charged with selecting the organisation's next CEO. Finn said: “With the Board's recent approval of our five-year strategic plan, and to ensure a smooth and orderly tr...

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CISAC launches new AVR+ format designed to improve music data processing by the global AV industry

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The International Confederation of Societies of Authors and Composers (CISAC) has unveiled AVR+, a new machine-readable technical format designed to enhance the accuracy of the sharing and processing of music data across the global audiovisual industry. CISAC said the new format will ensure that creators are "more accurately identified and fairly paid" and marks "a major step toward more consistent and interoperable metadata exchange across the audiovisual value chain." AVR+ is based on the Glob...

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