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Creative Industries

Main stories — Week 44, 2022

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Here’s a list of the main stories published this week by Creative Industries News:

LEAD STORY
> IFPI’s 2022 global survey shows people listen to more music than ever before

COPYRIGHT & REGULATION
AEPO-ARTIS recommends the introduction of a right to equitable remuneration for on-demand streaming in Europe
> Copyright Office to hold seminars on the new Recordation System
Nigerian Copyright Commission signs MoU on piracy with publishers and booksellers

LITIGATION
Paramount’s motion to dismiss in ‘Top Gun: Maverick’ copyright case is rejected by California court

CMOs & LICENSING
SACEM and Pianity’s agreement on music NFTs includes a ‘droit de suite’
The UK’s DACS appoints COO Christian Zimmermann as its new Chief Executive
Hungarian society ARTISJUS signs representation agreement with SACEM for the online licensing of its repertoire

DATA
Stem introduces Royalty Services for labels
Mandolin releases new features for artists to optimise data about their fanbases

CREATIVE INDUSTRIES
> French creative sector urges President Macron to cancel plans to postpone festivals in 2024 because of the Olympics
> Warner Music’s Emerging Markets division launches new label called OUT OF ORDER
Music sector contributed £345 million to Northern Ireland’s economy in 2019
MENA media company MBC Group joins the Alliance for Creativity and Entertainment
BPI report: British independent record labels’ share of the UK music market grows to 28.6% in the first 10 months of 2022
Has Pink Floyd’s catalogue sale hit a wall?
Believe forecasts 2022 full-year revenue to grow over 30% year-on-year

DIGITAL ECONOMY
Tencent Music Q3 2022 revenue were down 5.6% year-on-year to $1.04 billion, but paying users were up 19.8% to 85.3 million
YouTube has processed 757.9 million unique copyright claims in the first half of 2022
CD Baby inks partnership with Groover to help emerging artists promote their music
Amazon to cut down on production investments at its Hollywood studio
US video games market down 5% to $12.34bn during Q3 2022
The future of TV is not linear…

DEALS
– BMG acquires Harry Nilsson’s songbook
– Downtown Music Services has signed Masego to a global music publishing administration agreement
– Bucks Music Group signs Tom Webber to an exclusive global publishing agreement
– The Orchard signs production and DJ duo Christian Rich to a global distribution and publishing administration agreement

IN THE NEWS
 MaryLynne Drexler appointed Head of Business & Legal Affairs for WMG’s ADA
– Dani Deahl named Head of Communications & Creator Insights at BandLab Technologies
– Heather Walters joins US Copyright Office as a fellow in the Barbara A. Ringer Copyright Honors Programme
– Bob Workman promoted to SVP, International Brand Partnerships at Warner Music and General Manager at WMX UK
– Blue Raincoat Music/Chrysalis Records taps James Meadows as SVP of Marketing
– SACEM makes a series of key hires to strengthen its management committee
– Warner Music Japan names Kazuhiro Shimada as Chief Operating Officer

INTERVIEWS
In case you missed it, Creative Industries News published recent Q&As with:
– Bruno Guez (Revelator)
Andrea C Martin (PRS for Music)
Cécile Rap-Veber (SACEM)
Molly Neuman (Songtrust)
Jordi Puy (Unison)
Olivier Chastan (Iconoclast)
Ken Umezaki (Verifi)
– Paul Pacifico (AIM)
Spek (PopArabia)
– Merk Mercuriadis (Hipgnosis) (Part 1)
– Merk Mercuriadis (Hipgnosis) (Part 2)

OPINION
In case you missed it, Creative Industries News published recent opinion pieces from:
– Chola Makgamathe (SAMRO): South Africa needs a comprehensive, multifaceted strategy to curb the economic impact of piracy
– Susan Cotchin (Good Neighbour Rights): ‘Australia’s decision to limit the application of Art. 15 of WIPO’s WPPT has impacted Australian artists in a big way’
– Helen Smith (IMPALA): ‘We don’t believe equitable remuneration is equitable at all’
– Jonathan Reichman and Jeremy King (Hunton Andrews Kurth): ‘Warhol Foundation v. Goldsmith is an opportunity for US Supreme Court to clarify fair use’
– Kevin Casini: ‘Stakeholders need to take a long-term view with the Copyright Royalty Board’s rate-setting proceedings’
– Barry Scannell (IMRO): ‘Royalty-based NFTs have limited fungibility’

Emmanuel is a Washington, DC-based freelance journalist, blogger and media consultant, specialising in the entertainment business and cultural trends. He was the US editor for British music industry trade publication Music Week. Previously, he was the editor of Impact, a magazine for the music publishing community (2007-2009), the global editor of US trade publication Billboard (2003-2006), and the editor in chief of Billboard’s sister publication Music & Media (1997-2003).

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Collective Management Organisations

CISAC adopts a declaration calling for human creativity to be protected and respected

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Creators from across the globe have adopted a declaration putting the protection of human creativity at the heart of artificial intelligence policies. The declaration, known as The Paris Commitment, was unveiled in Paris on June 4 during the centenary General Assembly of the International Confederation of Societies of Authors and Composers (CISAC). The declaration states: “At a time when rapid advancements in artificial intelligence risk undermining the value of creative work, we affirm a shared...

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Creative Industries

Chordal

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Chordal, the leading innovator in music rights technology that last year announced partnerships with Kobalt Music and TikTok, today announced a significant wave of new international rightsholder partners joining its platform. Among the latest to come aboard are Warp (UK), Believe Publishing (UK), 3000 Years (UK), AMF Publishing (UK), Material Music (UK), Aura (UK), Bohemia Records (Ireland), Colorburst Records (Germany), German Bulldozer (Germany), Springstoff (Germany), Loudkult (Sweden), Hear...

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Creative Industries

BMG acquires music producer Luca Anzilotti’s publishing interests in Snap!

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BMG has acquired the publishing interests of German music producer Luca Anzilotti, co-founder of the Eurodance group Snap!. Terms of the transaction were not disclosed. Anzilotti co-founded Snap! in 1989 with Michael Münzing. BMG previously acquired the sound recordings to the entire Snap! catalogue in 2016 and then acquired Münzing’s writer shares in 2022. "This acquisition represents a significant step in BMG’s long-term strategy to consolidate the Snap! catalogue," said the company.

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