Creative Industries
Main stories — Week 2, 2023
Here’s a list of the main stories published in the past week:
LEAD STORY
>Sweden starts the Presidency of the European Union with a broad agenda
COPYRIGHT & REGULATION
> Over 350 artists support US Copyright Office’s rulemaking on termination rights
> Belarus Paliament votes bill authorising digital piracy of creative goods
LITIGATION
> UMG sues Triller over failed payments
> Black Sheep file $750 million class action suit against Universal over unpaid royalties
CMOs & LICENSING
> Rotana signs licensing deal with TikTok
> WIPO organises a Jan. 18 a seminar on copyright infrastructure with GESAC
DATA
> Rights processing platform Curve Royalty Systems acquired by Downtown Music
> Revelator picks Stripe to provide NFT payment infrastructure
CREATIVE INDUSTRIES
> ERA reports UK home entertainment market grew by 6.9% to £11.1bn in 2022
> Damien Jurado withdraws catalogue from Spotify citing ‘unfair treatment of artists’
> Italian government shuts down ItsArt, dubbed the ‘Netflix of Italian culture’
> One Media iP reports year-on-year revenue up 16% to £5.1 million in 2022
> IMPALA renews its data and insights project One Step Ahead for another year with CMU
> India’s government merged on January 1 four film organisations into the National Films Development Corporation
> Sony Music artists have withdrawn nearly $50 million via the company’s Cash Out and Real Time Advances features
DIGITAL ECONOMY
> Global SVoD subscriptions will reach 1.76bn by 2028, up from 1.33bn in 2022
DEALS
– Sony Music Entertainment and Todd Moscowitz launch new artist and label services company Santa Anna
– Round Hill Music acquires various rights from U2 producer Steve Lillywhite
– Bucks Music Group signs Molly Payton to a publishing deal for UK, Eire and Europe
IN THE NEWS
– Cindy Mabe succeeds Mike Dungan as Chair and CEO of Universal Music Group Nashville
– Apple TV+ taps Disney+’s Ricky Strauss to boost the streaming service’s visibility
– Rana Kaplan named General Manager at lifestyle and media platform FaZe Clan
– The Orchard promotes Mary Ashley Johnson to EVP, Sales and Artist & Label Management, US and Canada
– Canada’s ACTRA names Natalie Clancy and Linda Noelle Bush to executive positions
– The BPI promotes Sophie Jones to Chief Strategy Officer and interim Chief Executive
– Jitze de Raaff named President of Dutch music company CTM Entertainment
INTERVIEW
> David Israelite (NMPA): ‘The rate setting system is broken and needs to be reformed’
INTERVIEWS
In case you missed it, Creative Industries News published recent Q&As with:
– Robert Singerman (LyricFind/BELEM project)
– Bruno Guez (Revelator)
– Andrea C Martin (PRS for Music)
– Cécile Rap-Veber (SACEM)
– Molly Neuman (Songtrust)
– Jordi Puy (Unison)
– Olivier Chastan (Iconoclast)
– Ken Umezaki (Verifi)
– Paul Pacifico (AIM)
– Spek (PopArabia)
– Merk Mercuriadis (Hipgnosis) (Part 1)
– Merk Mercuriadis (Hipgnosis) (Part 2)
OPINION
In case you missed it, Creative Industries News published recent opinion pieces from:
– David Lowery: ‘Why windowing releases works for me’
– Chola Makgamathe (SAMRO): South Africa needs a comprehensive, multifaceted strategy to curb the economic impact of piracy
– Susan Cotchin (Good Neighbour Rights): ‘Australia’s decision to limit the application of Art. 15 of WIPO’s WPPT has impacted Australian artists in a big way’
– Helen Smith (IMPALA): ‘We don’t believe equitable remuneration is equitable at all’
– Jonathan Reichman and Jeremy King (Hunton Andrews Kurth): ‘Warhol Foundation v. Goldsmith is an opportunity for US Supreme Court to clarify fair use’
– Kevin Casini: ‘Stakeholders need to take a long-term view with the Copyright Royalty Board’s rate-setting proceedings’
– Barry Scannell (IMRO): ‘Royalty-based NFTs have limited fungibility’
Copyright & Regulation
US Department of Justice approves the proposed acquisition of Warner Bros. Discovery by Paramount Skydance
Copyright & Regulation
Germany’s competition authority clears the merger between BMG and Concord
Creative Industries
Greece’s HERMES joins IMPALA
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Collective Management Organisations3 years agoThe MLC plans webinars to show members how to use tools to manage song data
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Collective Management Organisations4 years agoSix takeaways from The MLC’s first annual report for 2021: distributions, membership, matching rates, processed works, historical unmatched works and expenditures
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Interview4 years agoOlivier Chastan (Iconoclast): ‘Name, image and likeness will be as important as music rights in the future’
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Collective Management Organisations4 years agoCécile Rap-Veber (SACEM): ‘We are a solutions provider to create value, a tech company, and we are less and less seen as some sort of cultural institution’



