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Creative Industries

Main stories — Week 2, 2023

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Here’s a list of the main stories published in the past week:

LEAD STORY
>Sweden starts the Presidency of the European Union with a broad agenda

COPYRIGHT & REGULATION
Over 350 artists support US Copyright Office’s rulemaking on termination rights
Belarus Paliament votes bill authorising digital piracy of creative goods

LITIGATION
UMG sues Triller over failed payments
Black Sheep file $750 million class action suit against Universal over unpaid royalties

CMOs & LICENSING
Rotana signs licensing deal with TikTok
WIPO organises a Jan. 18 a seminar on copyright infrastructure with GESAC

DATA
Rights processing platform Curve Royalty Systems acquired by Downtown Music
Revelator picks Stripe to provide NFT payment infrastructure

CREATIVE INDUSTRIES
ERA reports UK home entertainment market grew by 6.9% to £11.1bn in 2022
Damien Jurado withdraws catalogue from Spotify citing ‘unfair treatment of artists’
Italian government shuts down ItsArt, dubbed the ‘Netflix of Italian culture’
One Media iP reports year-on-year revenue up 16% to £5.1 million in 2022
IMPALA renews its data and insights project One Step Ahead for another year with CMU
India’s government merged on January 1 four film organisations into the National Films Development Corporation
Sony Music artists have withdrawn nearly $50 million via the company’s Cash Out and Real Time Advances features

DIGITAL ECONOMY
Global SVoD subscriptions will reach 1.76bn by 2028, up from 1.33bn in 2022

DEALS
– Sony Music Entertainment and Todd Moscowitz launch new artist and label services company Santa Anna
– Round Hill Music acquires various rights from U2 producer Steve Lillywhite
– Bucks Music Group signs Molly Payton to a publishing deal for UK, Eire and Europe

IN THE NEWS
 Cindy Mabe succeeds Mike Dungan as Chair and CEO of Universal Music Group Nashville
– Apple TV+ taps Disney+’s Ricky Strauss to boost the streaming service’s visibility
– Rana Kaplan named General Manager at lifestyle and media platform FaZe Clan
– The Orchard promotes Mary Ashley Johnson to EVP, Sales and Artist & Label Management, US and Canada
– Canada’s ACTRA names Natalie Clancy and Linda Noelle Bush to executive positions
– The BPI promotes Sophie Jones to Chief Strategy Officer and interim Chief Executive
– Jitze de Raaff named President of Dutch music company CTM Entertainment

INTERVIEW
David Israelite (NMPA): ‘The rate setting system is broken and needs to be reformed’

INTERVIEWS
In case you missed it, Creative Industries News published recent Q&As with:
– Robert Singerman (LyricFind/BELEM project)
– Bruno Guez (Revelator)
Andrea C Martin (PRS for Music)
Cécile Rap-Veber (SACEM)
Molly Neuman (Songtrust)
Jordi Puy (Unison)
Olivier Chastan (Iconoclast)
Ken Umezaki (Verifi)
– Paul Pacifico (AIM)
Spek (PopArabia)
– Merk Mercuriadis (Hipgnosis) (Part 1)
– Merk Mercuriadis (Hipgnosis) (Part 2)

OPINION
In case you missed it, Creative Industries News published recent opinion pieces from:
– David Lowery: ‘Why windowing releases works for me’
– Chola Makgamathe (SAMRO): South Africa needs a comprehensive, multifaceted strategy to curb the economic impact of piracy
– Susan Cotchin (Good Neighbour Rights): ‘Australia’s decision to limit the application of Art. 15 of WIPO’s WPPT has impacted Australian artists in a big way’
– Helen Smith (IMPALA): ‘We don’t believe equitable remuneration is equitable at all’
– Jonathan Reichman and Jeremy King (Hunton Andrews Kurth): ‘Warhol Foundation v. Goldsmith is an opportunity for US Supreme Court to clarify fair use’
– Kevin Casini: ‘Stakeholders need to take a long-term view with the Copyright Royalty Board’s rate-setting proceedings’
– Barry Scannell (IMRO): ‘Royalty-based NFTs have limited fungibility’

Emmanuel is a Washington, DC-based freelance journalist, blogger and media consultant, specialising in the entertainment business and cultural trends. He was the US editor for British music industry trade publication Music Week. Previously, he was the editor of Impact, a magazine for the music publishing community (2007-2009), the global editor of US trade publication Billboard (2003-2006), and the editor in chief of Billboard’s sister publication Music & Media (1997-2003).

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Creative Industries

Sound Pollution Songs sells catalogue to Sony Music Publishing Scandinavia

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Sony Music Publishing Scandinavia has acquired the rights to Sound Pollution Songs' existing catalogue of approximately 5,000 works. Terms of the transaction were not disclosed. In addition, Additionally, SMP and Sound Pollution Songs have entered into a long-term administration agreement covering future works. The Sound Pollution Songs catalogue includes works performed by artists such as Bonafide, Elaine, Foredoom, Srexoria, Sabaton, Twilight Force, and Wormwood, among others. SMP said the dea...

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Creative Industries

Coalition of artists, songwriters and managers calls for clear and transparent rules in licensing deals with AI companies

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A global coalition of artists, songwriters and music managers have put on notice the world’s record labels and publishers about the misuse of their rights in AI deals in an open letter coordinated by the European Music Managers Alliance (EMMA) with support from organisations around the world. "We are increasingly concerned that artists and songwriters in existing recording and publishing agreements are receiving letters from major labels and publishers informing them that they will be opted in ...

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Copyright & Regulation

French creative sector does not give up on the bill introducing a presumption of using creative content to train AI models

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On the occasion of Music Day on June 21, four French music industry organisation — ADAMI (neighbouring rights society representing performers), SCPP (neighbouring rights society representing owners of sound recordings), SNEP (record labels) and SACEM (authors and publishers) — have called on policy-makers to "to stop allowing platforms to exploit with impunity what our authors and artists have sometimes spent years creating." In an open letter, the organisations claim that "behind every song are...

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